Monday, October 19, 2009

Five Favorite Film Soundtracks

Hey, it's my 50th post! Yay...
I was thinking of doing something really special for this post, like maybe a retrospective look at all my previous posts, with excerpts of everyone's favorite memories of Watts Up with Rhonda, or even a slide show of pictures of me writing the posts. They would all just be me sitting at a computer typing or, those times I was "taking a break" from writing, browsing on Amazon, updating my Facebook status, or getting really angry at iTunes. It would be really fun, but I think I'll save that for my 100th post.

For this one I decided to name my five favorite movie soundtrack albums. There is quite a heated debate on Amazon discussion boards (and elsewhere, I'm sure) about the distinction between orchestral/score soundtracks and pop or compilation soundtracks, and whether or not they should be considered separate genres for retail purposes. Maybe they are separate genres, but for this list I decided to include both score soundtracks composed specifically for a film and song compilations. The bottom line is that both types of soundtracks are important elements in a film; they help set the mood and tone, and neither should be ignored. My favorites, in no particular order, are:

Where the Wild Things Are (2009)
I still haven't seen the movie, but I love the music. Yeah Yeah Yeahs' Karen O composed these folk-alternative- rock songs for the movie, making this soundtrack both score and song collection. The sound is homemade, exuberant and, fittingly, wild. With acoustic guitar and an eclectic collection of other instruments, humming, shouts and a choir of kids, the music celebrates the joy and wildness of childhood and makes a perfect companion for Sendak's book.

Pride and Prejudice (2005)
Before this film came out, I was a little nervous. As an avid Austen fan, I worried that the movie would get everything wrong. Just one of the things it got incredibly right, however, was the music. The use of piano for much of Dario Marianelli's score was inspired by the fact that Elizabeth Bennet plays the piano, though not nearly as well as Jean-Yves Thibaudet. His talent is put to especially good use for "Liz On Top of the World," a theme that is echoed very effectively in "Your Hands Are Cold." There are pieces that don't use piano, too. I especially love "Meryton Town Hall," the song that is played at the Meryton Assembly near the beginning of the movie, for its slight imperfections that make it all the more real and believable as the performance of amateur musicians.

Juno (2007)
Listening to this collection of indie and folk rock songs is almost as good as watching the movie again. With both contributions from The Moldy Peaches' Kimya Dawson written especially for the film, and rock classics from the likes of The Kinks, Buddy Holly and Mott the Hoople, the album is a perfect reflection of Juno's world. My favorite tracks are Sonic Youth's cover of The Carpenters' "Superstar" and Cat Power's beautifully simple "Sea Of Love."

Marie Antoinette (2006)
Whoever heard of using 1980s punk and new wave rock music for a movie that takes place in the 1780s? It totally works, though! One of my favorite moments in the film is a scene at a ball with the dancing set to Siouxsie and the Banshees' "Hong Kong Garden." When the song ends the dancers stop and applaud. Brilliant. (The Vivaldi concerto isn't too shabby, either.)

Bend It Like Beckham (2002)
Before Bollywood met Hollywood (Bride & Prejudice), Bollywood met London. This bilingual soundtrack features a few tracks by Indian artists like Bally Sagoo and Bina Mistry (Buster Poindexter's "Hot Hot Hot" in Punjab!), the Blondie classic "Atomic," and some good songs by British artists (such as "a lit-ull band called Texas!"). Yes, there's a Victoria Beckham song on here, but I just skip that one! Oh, and Tito Beltran sings "Nessun Dorma." Not quite Pavoratti, but okay.

Tuesday, September 29, 2009

School and Such

Classes have been in session for a week now, and I've gotta say: kinda easy. I mean, seriously. I could teach these classes. And they're so boring. I doze off like five minutes in. I'm not even learning anything. I hate Shakespeare, I hate screenwriting, and, let's face it, learning how to be a Writing Center tutor is pretty pointless. (You may choose whether or not to take me seriously.)

I also have a new guilty pleasure: LOL Cats. I like the ones with real people, though. I even made a few.
Don't worry. This doesn't cut in to my TV watching time. I watched my latest Netflix selection, disc 2 of the Complete Series DVD of My So-Called Life, this afternoon. I really wish that those plaid flannel empire waist dresses would come back in style. They look so comfy. And what's Jared Leto up to these days? I mean, besides his band's song being in Rock Band, because whose isn't?

Today is Tuesday, and I don't have any regular Tuesday shows, so maybe I'll read Twelfth Night for the 80 millionth time.

Sunday, August 30, 2009

Through the Looking Glass

I will never be a photographer, but I was playing with the camera on my phone and some mirrors and I thought these turned out kind of neat.



"Ah! My beauty, past compare! These jewels bright I wear!"





"Through the Looking Glass"





"Portrait of a Lady"





"When Diet Dr. Pepper Attacks"

Saturday, August 29, 2009

I Got Loud


And what did I learn?

1. Jimmy Page, by his own admission, cannot sing.

2. The Edge always wears a hat. Always.

3. Jack White isn't British? (I know.)

4. Though I doubt I will ever be as passionate about the guitar as those three dudes are, I am passionate about creativity and self-expression. As Page said, every work of art comes from a creative spark. And that's what every twelve-year-old who hears Led for the first time and signs up for guitar lessons the next day, and every girl who writes a blog, is striving for.

Monday, August 17, 2009

Ghost Stories


“And so, every year, on the anniversary of her death, Fanny Farnham's ghost wanders through the woods near the house where she lived, wearing only her nightgown, and searching for her lost love.” Jenny concluded her tale in a hushed, dramatic whisper, while Sarah and Lily gazed at her wide-eyed with rapt attention, their chins resting in their hands and their elbows on their knees. The three girls formed a close circle in the tiny tent in Jenny's backyard.
“Wow,” breathed Lily after a second. “That's the most romantic thing I've ever heard.”
“Romantic!” scoffed Sarah. “That's horrible! And kinda creepy.” She flopped onto her stomach, stretching out on top of her Mulan sleeping bag and pulling another Red Vine from the tub in the middle of the tent floor. “Even though I don't believe in ghosts.”
Jenny took a swig from her root beer. Her throat was parched after that long story. She gulped half the can in one swallow, let out a respectable belch, then wiped her mouth with the back of her hand. “Okay,” she said, “one of you guys has to tell a ghost story now.”
“I don't know any,” claimed Lily, nibbling on a Red Vine and examining the sloppy nail polish job Jenny had given her an hour before.
“Just make something up,” Jenny encouraged.
Sarah sat up quickly. “I know!” she cried. “Let's play...” She paused for effect. “Truth or Dare!”
The other two girls' eyes gleamed. They had been introduced to the game at camp earlier in the summer by some older girls, and still thought of it as scandalously sophisticated.
“Okay,” they giggled, instinctively scooting closer together around the tub of Red Vines and the flashlight balanced on its end so that it cast its light in a cone toward the tent's ceiling.
“I'll go first,” said Jenny. “Lily. Truth or dare?”
Lily narrowed her eyes and scrunched her mouth up, then nodded. “Truth,” she decided.
Sarah snickered. “Chicken.” Lily stuck out her tongue, then turned her attention to Jenny, who wore a wicked grin.
“Okay,” Jenny said. “Did you kiss Kevin Plasky on the tire swing on the last day of school?”
Lily's pale face turned bright red before she covered it with her hands. “You did, didn't you!” cried Sarah.
Lily looked up. “Did you see?”
Jenny nodded. “He's a sixth-grader! Are you his girlfriend?”
Lily shook her head. “No! He's so stupid! And gross.”
“Then why did you kiss him?” Sarah wondered.
Lily shook her head again. “I dunno. Isn't it my turn now?”
“Oh, come on!” squealed Jenny. “You have to tell us!”
With a deep sigh, Lily shrugged and said, “I really don't know, you guys. I guess I just felt like it. Can I puh-leeeeease take my turn now?”
Jenny and Sarah looked at each other and wordlessly agreed to take pity. Sarah nodded. “Fine,” said Jenny.
“Okay,” began Lily, immediately perking up. “Sarah. Truth or dare?”
“Well,” said Sarah, “I'm not a chicken, like some people, so dare.”
Lily giggled and rubbed her palms together. “I dare you to... go into the woods, take off your panties, and hang them on a tree!”
Jenny burst out laughing. “That's such a good one!”
“All right,” said Sarah nonchalantly, standing and picking her way to the tent door. Jenny and Lily followed her outside, and they stood on the cool grass in their pajamas and bare feet, looking toward the woods that grew right up to the edge of the lawn.
“This is the easiest dare ever,” Sarah boasted, and started toward the trees.
The moon was almost full, the late summer sky clear and dark and spangled with glittering stars.
Suddenly, a sharp, chilly gust of wind tore through the still, warm air, whipping the girls' hair back and stinging their cheeks like the dead of winter. Just one snap, and it was gone.
Sarah halted mid-stride and turned to the other two girls, fear written across her face. “What... was that?”
“Probably Fanny,” Jenny muttered.
Lily looked at her sharply. “What?”
“Uh...” Jenny stuttered. “I forgot to tell you guys. Um, remember Fanny Farnham?” Lily and Sarah nodded. “Well,” gesturing toward the house behind her, Jenny continued, “this was her house.”
“What!” Lily repeated, shrieking this time.
“Yeah.” Jenny went on. “And, um, she was murdered... exactly eighty-seven years ago tonight.” Lily let out a yelp and darted back into the tent, then peeked her head out, eyes wide.
Sarah leveled her gaze at Jenny, a cocky smile playing about her lips. “I don't care. Ghost stories aren't even real. I'll still do it.” She turned on her heel and stalked determinedly to the edge of the woods, where she paused for second, then stepped between the trees.
Jenny crawled into the tent beside Lily. Together, they watched Sarah as she went a few feet into the forest, then reached beneath the hem of her night shirt and pulled her underpants down to her knees. She stepped out of them, first the right foot, then the left, and picked them up with one finger.
Just after she had draped the panties over a nearby low branch, another icy breath of wind ripped through the night, making the girls scream. Sarah sprinted back to the tent and dove head-first through the small opening, then collapsed into uncontrollable giggles.
“Why are you laughing?” demanded Lily, though she couldn't help smiling herself. Sarah shook her head, tears streaming from her eyes as she clutched her stomach.
Jenny let out a short chuckle. “Your face was so funny, Sarah! You've never run that fast in your life!” All Sarah could do was nod in response.
Finally, giddy from consuming large quantities of sugar and being scared silly, the girls laughed themselves to sleep. Their dreams were varied.
Lily dreamed of Kevin Plasky, kissing her on the tire swing. And on the tether ball court. And behind the gym. And at a school dance, in high school, both of them incredibly grown-up. He wore a crisp tuxedo, and she wore the perfect dress, which looked remarkably like Cinderella's ball gown from the Disney film. She sighed contentedly in her sleep.
Jenny dreamed that she was a famous writer, which entitled her to a lifetime supply of Red Vines and root beer. She, too, let out a happy sigh as she slept.
Sarah dreamed about a young woman in an old-fashioned nightgown, her hair long and curly down her back. The woman seemed to be looking for something. She searched and searched, then stopped short next to a tree and plucked a piece of cloth from one of its branches. She smiled eerily.
Sarah woke with a start, her breathing labored. She looked around the tent, saw her friends sleeping, and let out a relieved sigh. She quickly rejoined them in sleep. There were no more wintry breezes to disturb their slumber.
The next morning the girls awoke to a glorious day. The bright sunshine and birdsong made their giddy terror of the night before seem ridiculous. They went inside, where Jenny's mother made them blueberry pancakes and told them to clean up their tent and sleeping bags after breakfast. As they clumsily bundled the nylon into an impossibly small bag, they laughed again at their silliness.
“I can't believe we were so scared!” sighed Jenny.
“I know,” agreed Lily. “Ghost stories aren't even real!”
“I told you,” Sarah chided. “I wasn't scared at all.” She didn't tell the other girls about her dream.
Jenny laughed. “You were, too! I saw your face! Hey, are your panties still out in the woods?”
“Oh, yeah,” said Sarah, thinking for a minute. But, when she went back to retrieve her underwear, searching all around the tree she had hung them from, they were nowhere to be found.

Tuesday, July 28, 2009

Homesick

After returning from the longest journeys, we are most aware of being home.

***

On the yellow-painted edge of the concrete sidewalk, I lean into the moistened breeze. The summer is still young, and the sun hasn't yet pierced through the thick blanket of clouds for Seattle's standard two months of warmth. The air current whips my hair back, blowing it into tangles, and pricks tears at the corners of my eyes. Though gray and wet, it is a beautiful day.

***

Five hours and 1700 miles earlier, I hug my parents and step into the security line, a shuffling, anonymous crowd occupied with removing shoes and jackets and quart-sized zip lock bags of toiletries- no more than 3 oz. bottles. Boarding pass and I.D. Laptops taken out of bags. Wait behind the yellow line, then walk through the metal detector.

I'm flying stand-by with no checked bags, which means I could be a terrorist, so I'm selected for further security procedures, says the guard.

“Do I win something?” I ask brightly.

“How about a full-body search?” At least he has a sense of humor, if a slightly creepy one.

Surprise! I'm not concealing a firearm on my person, or a box-cutter. There is nothing in my small carry-on that could be used as a weapon without getting really creative. Nail clippers? Maybe, but we'll let it slide. But that mascara needs to go in your zip lock bag.

So, apparently I'm not a hijacker. I am a twenty-one-year-old girl traveling alone for the first time in my life on a flight from Dallas to Seattle. I would like to stay a few more days, as my parents are doing, but I have to return to my job.

I have just been to my grandfather's funeral.

***

August, 1997: I am ten years old. I am sitting on a bench in the shoe department at the Bon Marche. My grandparents sit on the bench across from mine, watching me try on shoes. Grandma and Papa have taken me shopping for school. I'm starting fifth grade, and I have to have the right shoes.

I finish tying the laces on the plain white sneakers, then stand and walk around the bench. “Are they comfortable?” Grandma asks. She expertly presses down on my toes, feeling how much room my feet have to grow. “Do they fit?”

“They're okay. Can I try these on now?” I pull the lid from another box, revealing a more flashy pair of blue and silver basketball shoes. They cost twice as much as the white ones.

My grandma sighs. “Yes, you may try them on. But I think these white ones would work much better for you.”

I kick off the white sneakers and slip my feet into the basketball shoes, pulling the laces tight and tying them bunny-ear style. I bounce out of my seat and skip around the benches. “I love these!”

My grandpa smiles, chuckling at my delight. But, despite my adoration for these incredible shoes, my grandma explains to me that the white sneakers are more practical and economical. I have to admit that she's right.

***

June, 2008: I am twenty-one years old. I lie sleepless on a bed of air, listening to the sounds of the warm Texas night. I have kicked off the sheet. My head rests on a small corner of the pillow, letting the breeze from the open window brush my face.

My mind is adrift, aimless, as thoughts, memories, dreams skim across the surface, then turn to vapor, never fully realized.

From the dark and silent sea, something tells me to go to my grandmother's room, to climb into her bed as if I am a six-year-old waking up from a nightmare. I ignore the voice, though, because I am not sure that I've really heard it. I am soon asleep.

The next morning Grandma tells me that when she awoke, the covers on the other side of her bed were turned back. And I wonder: if I had listened to the voice, would I have seen him?

Nostalgia shows us what we wish the world was like.

***

August, 1997: Later, after our shopping is done, I am sitting in the leather back seat of my grandparents' car, surrounded by a new wardrobe in plastic bags. I pull the smooth cardboard shoe box out of its bag and flip the lid.

“What?” I cry. Lying inside the box are my beautiful blue and silver shoes. “I thought I was getting the white ones!”

Papa turns to me from the front passenger seat and looks at the shoes. “Oh, how did that happen?” I almost miss his wink as I pull the shoes onto my feet.

***

As I pull my shoes onto my feet, canvas flats with black and purple stripes, after passing successfully through security at the Dallas airport, I glance at my boarding pass and the signs around me, determining which direction I need to walk. I straighten and heave my bag up, putting the strap over my shoulder, and head toward my gate. I am pleased to find a Starbucks not 50 feet away.

I buy a grande iced white chocolate mocha, then settle into a cloth and metal chair to wait out the hour until my plane boards. I read a science fiction novel, I solve the Sudoku puzzle in an abandoned newspaper, I people-watch.

A family with five kids under seven gaggles by. A couple in their 60s with the kind of suitcases that have wheels. Two young men dressed in camouflage head to foot, brownish-green packs slung over their shoulders.

***

My grandfather was a Private in the United States Army. He served a year before his honorable discharge, before he even met my grandmother. He never fought in any battles, but he did shake hands with Elvis Presley.

He was interred in the Dallas-Ft. Worth National Cemetery on a beautiful day in June, given a military burial. Two officers saluted my family as we stepped into the gazebo where my grandfather's casket rested. With ceremony, while the bugler played “Taps,” they folded an American flag and presented it to my grandmother. She accepted it, saying, “God bless you.”

***

December, 2008: I am twenty-one years old. It is the day after Christmas, the first Christmas that I haven't heard my grandfather read the story of Christ's birth aloud to my family, sitting in silent awe, sacred reflection on a Winter night. We were all children on Christmas Eve, but not anymore.

I stand with my parents, my brother, my grandmother, my aunt and my uncle at my grandfather's grave in the Dallas-Ft. Worth National Cemetery. A poinsettia plant, vibrant red against the dull winter gray, has been placed in front of his headstone, beneath the dates:

1 September, 1934 – 23 June, 2008

This place, where thousands have been laid to rest, represents the grandfather I never knew, the soldier. The grandfather of my childhood was a kind and gentle man, with never a harsh word for anyone, always a smile.

My grandmother stands beside me, puts her arm around my shoulders. “I love you,” she says.

I respond, “I love you, too,” and I pray that I have inherited my grandfather's best qualities in addition to his name.

***

The flight attendant calls my name. I am the last stand-by passenger to board; I have gotten the last seat available on the plane, but there are still three more people waiting at the gate. I sit in the middle seat of a three-seat row. No window, no aisle, just four-and-a-half hours of my elbows pressed to my sides.

I read some more, I watch a movie on my brother's PSP, I ask the flight attendant for a ginger ale, I even sleep a bit. Then we are entering the familiar cloud cover of the Pacific Northwest, a welcome respite from the hot Texas sunshine.

***

July, 1991: I am four years old. It is the end of a beautiful day. The sun is setting through the leaves of the Tana Tree, the red maple in my grandparents' front yard in Kent, Washington. The tree that was planted the year I was born.

I am sitting on the front porch in Grandma's lap, wearing my favorite pink jelly shoes. Papa sits across from us, telling me the story of the Tana Tree, named for my cousin who lives in Germany and is only three months younger than I. His voice rumbles pleasantly, quietly, with a slight hint of the Arkansas country farm where he was born.

It is the same voice I hear reading the Gospel of Luke on Christmas Eve: “And it came to pass, in the days of Caesar Augustus...”

It is the same voice I hear giving the blessing for Thanksgiving dinner: “Dear Heavenly Father, we thank You for Your love...”

It is the same voice I hear on a warm Texas night, with the breeze from an open window brushing my face.

Nostalgia shows us what we wish the world was like.

***

We land, a bit bumpily, and I pull out my phone to call a friend of my mother's I've known my entire life, and whose daughter is my best friend. She's my ride home.

On the yellow-painted edge of the concrete sidewalk outside baggage claim, she enfolds me in a hug, holding me like a child for a moment. Then she lets go and glances down at my feet.

“I love your shoes!” she exclaims.

And then, for the first time since a fateful phone call from Dallas a week before, I smile into the beautiful day, and I am home again.

Thursday, July 09, 2009

Repetitive and Redundant

Writers love to write about writing. Virginia Woolf did it, Strunk and White did it, you know Stephen King did it. Of course most of the people who read these books about writing are other writers. Writers read about writing, and then write about reading about writing, and then readers read that and maybe write some more about it. As cyclical and redundant as this seems, it kind of makes sense. After all, if there's one lesson to be found in both Little Women and Orange County, it's to write what you know. Writers know about... writing. So that's what they write about.

I have to admit that I'm a bit guilty of this myself. I mean, I'm doing it right now. Plus, a couple of posts down from this one there's a poem about a poet. I've written several other poems about the actual process of writing poems, too. (Naturally, no one has read these.) I also recently wrote a song about song writing; at least, that's what it started out being about, but by the time I finished I was quoting a Psalm and singing a U2 song.

V1:
When I think that the songs have all been written
And there's nothing more, nothing left to say
You come and take my heart, my soul, my voice, my rhythm
And I hear a new melody begin to play

Ch:
And I am waiting
Waiting on You
To make my broken
Melody new
You are everything
Borrowed and blue
Every song I sing
You make me new

V2:
Of the million songs that praise your lovingkindness
All of them together couldn't say enough
But I give You one more voice, one soul, one song, one promise
'Cause my heart has been transformed by Your love

B:
I will sing, sing a new song (repeat)

In the fortieth Psalm King David wrote: "I waited patiently for the Lord, and he turned to me and heard my cry. He lifted me out of the pit, out of the miry clay. He set my feet upon the rock and made my footsteps firm. He put a new song in my mouth, a hymn of praise to our God." David wrote about writing, too. But his writings about the song writing process don't cover word choice or verb tense or, since music is a form of poetry, meter and rhyme. He wrote about the experience that the song came from. The only time he even mentions the actual song, in fact, he says that it's not even his; it's from God.

When I write, whether it's a song or a poem or a blog post, I usually don't think about the process; I just let the words flow. Consequently, I've always been perplexed when writers attempt to verbalize a thinking process that's different for everyone. (Isn't it odd that I can't really verbalize HOW I verbalize?) In that way, if in no other way, I'm a little bit like King David: my focus is on the experience that inspires the writing. And, as I realize now, like every good thing, every word and every song is from God.